For a very long time, what inspired envy more than anything else were ladies I saw on the subway carrying authentic Hermes Birkin bags.  Now, what inspires envy more than anything else are kids I see on the subway sporting Dr. Dre Beats “Studio” headphones.  They’ve been designed by the rapper/producer to deliver recorded music in all its richness while reducing outside noise.  And they’ve been designed to call attention to themselves.  They’re huge – each earpad is fist-sized, and hides a pair of AAA batteries – and they’re awesome.  They come in all different colors but my favorite are the red ones, which are an impossible-to-avoid shade right between fire engine and Ferrari.  It’s a joyous, electric color.

Unlike a lot of fancy headphones, the “Studio” headphones are designed so that the headband, the earpads, and the connection between them all feel substantial.  These are headphones for a serious audiophile, that can cost more than an MP3 player, and that would look right on a DJ or a recording studio technician.  So it’s funny seeing them plugged into a tiny player or phone.  I remember the first generation of Walkmen, when the devices were showy and the headphones were small.  Since the release of the iPod and its little white earbuds, the listening device has became a discrete, precious object and the headphones have just about disappeared.  The Beats headphones turn that around, drawing attention away from the music player to the act of listening, and to the listener himself.  They turn headphones into fashion.

Is there anything left to say about Apple chairman Steve Jobs, who passed away on Wednesday?  He was just 56 years old and he died from pancreatic cancer, a fast, cruel way to die.  The commentary, both in newspapers and on twitter, praises him for “changing” the way we communicate, watch movies, listen to music, make presentations, and, basically, live.  And it credits him as a “genius,” breaking boundaries in computer technology.  The truth is that Steve Wozniak designed the first Apple computers, and that Jonathan Ive designed the roster of current, iconic Apple products: the iMac, the iPod, the iPhone and the iPad.

If Jobs had a genius, it was for taste-making.  He wasn’t a scientist, he was an aesthete,  an aesthete with an astounding gift for marketing.  Just the day before he died Apple unveiled the latest iteration of the iPhone, the 4S, that resembled the earlier model but was enhanced with voice-detection.  Both geeks and and laymen were disappointed, because they didn’t just want a phone that was innovative, they wanted a phone that also looked innovative.  (Rumors predicted that the 4S would be all-glass, or tear-shaped.)  Jobs had set them up.  During his tenure at Apple he made product design important in a way that it has not been important since the Bauhaus, when looking modern was very nearly the same as being modern.  Jobs brought high design into our everyday lives.